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legere reed reviews

As I do have a solo recital coming up, I’ve been doing a little soul-searching about whether I will use the Légère in that situation. Let's take a look at the Legere Signature Series synthetic reed. Either cut shows a delightful tone, sensitivity and good intonation. Introducing the new Legere oboe reed. I assume that the saxophone Signature Series is geared more toward jazz players. They also play well without wetting or sanding. Legere Oboe Reed Medium Soft. I have always had problems with my reed drying out during performances while another musician is taking a solo or if I’m doubling…not to mention the hassle of rotating reeds, reed clipping and sanding which I really don’t have the patients or time for. Okay, so we all agree that the right hardness of Legere reed can sound just as good as a cane reed, and be considerably more consistent. As I mentioned in the original post, I thought it was likely that I could find/adjust a better cane reed for my recital, and keep the Légère on hand as a backup. 00. I mention response first because I think it’s the most important aspect of how a reed plays, but of course the question on everyone’s mind is tone. In tests such as these where both results seem professional, the small differences could easily be explained away by player variations and not equipment. I’ve tried to do the same with Harry Hartman reeds, and they won’t even respond to my emails. I heard some lovely recordings of oboists playing on the reed a few days ago and was impressed that someone finally made a good sounding oboe reed from synthetic materials. This item is in stock and can be dispatched immediately. £15.30. At Légère Reeds we give woodwind artists the Freedom to Perform. (and I guessed right—I’ve been playing legere tenor reeds). As a pro player I found them too bright, or too edgy, or not durable enough. The price one one reed is the same as a box of cane reeds but I’ve never had one Legere outlast a box of cane. We can only know what our goals are, and any two artists have different desires. I pass them over the guys next to me who are struggling with their warping cane reeds an they thank me. I have only recently discovered the Legere reeds, and they seem easier to play with in that they seem to have a consistent even sound, unlike the cane, which can vary according to whether it is dry or wet, or whether it is evenly spaced to produce a good sound overall. I just played a on a number of Legere reeds for Tenor (3.5), Soprano(2.75 and 3.5), and Alto(1.75...yuck) and my conclusion, which is strictly personal, is that they do not play well with jazz setups. If not for persofmances, i would really reccomend this teachers. And how about value. I just ordered a legere contra alto clarinet reed because of the mostly good i have heard about them like the consistancy and durability. I thought I would give the Legere reeds another try since it was a different model than the previous Legere reed which I didn’t especially care for. I am surprised by the several who picked wrong. The unique profile design allows for a bright, colourful yet warm and clean sound. For me personally, that makes me happy because if I could really hear a better sound with the cane, I don’t know if I could keep playing my signature. It really surprised me. Posted in Product reviews Legere reeds synthetic reeds Post navigation ‹ Previous Doubling-specific skills vs. instrument-specific skills. I think it is hard to talk about ‘better’ or ‘worse’ it’s just which characteristic one prefers. And it’s a delight knowing that one can put on a Legere, and being confident that it will work, regardless of the circumstances. 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