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compressor knee vs attack

A FET compressor adds a lot of colour to the sound, which can be quite pleasant on drums, vocals, bass, and anything else basically. The threshold goes down to -60dB in 0.1dB increments, and the attack and release knobs can be set to lightning fast or invisibly slow. Soft Knee vs. Hard Knee. Lowest curve has a really smooth, large knee; the highest a small, sharp knee. The knee is a way of smoothing out the way the compressor behaves when the signal is near the threshold so compression will start to react slightly before the threshold level and roll off after it's exceeded. By learning to differentiate these circuit types, you will gain far more control over your mixes. How to Get Light Tonal Compression. But as soon as that signal crosses the threshold the compressors starts acting accordingly. Semantic Audio Plug-ins are cross-platform DAW audio effects. .ehsOqYO6dxn_Pf9Dzwu37{margin-top:0;overflow:visible}._2pFdCpgBihIaYh9DSMWBIu{height:24px}._2pFdCpgBihIaYh9DSMWBIu.uMPgOFYlCc5uvpa2Lbteu{border-radius:2px}._2pFdCpgBihIaYh9DSMWBIu.uMPgOFYlCc5uvpa2Lbteu:focus,._2pFdCpgBihIaYh9DSMWBIu.uMPgOFYlCc5uvpa2Lbteu:hover{background-color:var(--newRedditTheme-navIconFaded10);outline:none}._38GxRFSqSC-Z2VLi5Xzkjy{color:var(--newCommunityTheme-actionIcon)}._2DO72U0b_6CUw3msKGrnnT{border-top:none;color:var(--newCommunityTheme-metaText);cursor:pointer;padding:8px 16px 8px 8px;text-transform:none}._2DO72U0b_6CUw3msKGrnnT:hover{background-color:#0079d3;border:none;color:var(--newCommunityTheme-body);fill:var(--newCommunityTheme-body)} Now elsewhere on this blog we’ve covered compressor controls (attack, release, threshold, ratio, knee, etc. That’s the technically correct definition, at least. The knee, as others have put it is more of an "ease in" to the compression. If you want a slower transition, where the … If the knee is set to zero, then the transition is immediate from no compression to the compression you dialed in. Think of it more like a synthesiser envelope where longer attack times produce a slower build up to maximum volume, or compression in this case, and faster times have a much quicker build up. "Programme Dependent Compression" seems to be what your alluding to unless we are talking basic Hard Knee/Soft Knee DBX type compression. I also recommend using a soft knee compressor for this approach if possible (just turn up the knee parameter if your compressor has one). This sounds more natural and musical. The knee is the sharpness of the angle. ._33axOHPa8DzNnTmwzen-wO{display:block;padding:0 16px;width:100%}.isNotInButtons2020 ._33axOHPa8DzNnTmwzen-wO{font-size:14px;font-weight:700;letter-spacing:.5px;line-height:32px;text-transform:uppercase} ._3-SW6hQX6gXK9G4FM74obr{display:inline-block;vertical-align:text-bottom;width:16px;height:16px;font-size:16px;line-height:16px} if you have a signal going right over, you won't hear the soft knee. /*# sourceMappingURL=https://www.redditstatic.com/desktop2x/chunkCSS/TopicLinksContainer.361933014be843c79476.css.map*/._2ppRhKEnnVueVHY_G-Ursy{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;margin:22px 0 0;min-height:200px;overflow:hidden;position:relative}._2KLA5wMaJBHg0K2z1q0ci_{margin:0 -7px -8px}._1zdLtEEpuWI_Pnujn1lMF2{bottom:0;position:absolute;right:52px}._3s18OZ_KPHs2Ei416c7Q1l{margin:0 0 22px;position:relative}.LJjFa8EhquYX8xsTnb9n-{filter:grayscale(40%);position:absolute;top:11px}._2Zjw1QfT_iMHH7rfaGsfBs{-ms-flex-align:center;align-items:center;background:linear-gradient(180deg,rgba(0,121,211,.24),rgba(0,121,211,.12));border-radius:50%;display:-ms-flexbox;display:flex;height:25px;-ms-flex-pack:center;justify-content:center;margin:0 auto;width:25px}._2gaJVJ6_j7vwKV945EABN9{background-color:var(--newCommunityTheme-button);border-radius:50%;height:15px;width:15px;z-index:1} The knee is the way in which the compressor reacts to the signal. Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range.Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and in some instrument amplifiers. ._2cHgYGbfV9EZMSThqLt2tx{margin-bottom:16px;border-radius:4px}._3Q7WCNdCi77r0_CKPoDSFY{width:75%;height:24px}._2wgLWvNKnhoJX3DUVT_3F-,._3Q7WCNdCi77r0_CKPoDSFY{background:var(--newCommunityTheme-field);background-size:200%;margin-bottom:16px;border-radius:4px}._2wgLWvNKnhoJX3DUVT_3F-{width:100%;height:46px} You will be surprised how many people think this. .c_dVyWK3BXRxSN3ULLJ_t{border-radius:4px 4px 0 0;height:34px;left:0;position:absolute;right:0;top:0}._1OQL3FCA9BfgI57ghHHgV3{-ms-flex-align:center;align-items:center;display:-ms-flexbox;display:flex;-ms-flex-pack:start;justify-content:flex-start;margin-top:32px}._1OQL3FCA9BfgI57ghHHgV3 ._33jgwegeMTJ-FJaaHMeOjV{border-radius:9001px;height:32px;width:32px}._1OQL3FCA9BfgI57ghHHgV3 ._1wQQNkVR4qNpQCzA19X4B6{height:16px;margin-left:8px;width:200px}._39IvqNe6cqNVXcMFxFWFxx{display:-ms-flexbox;display:flex;margin:12px 0}._39IvqNe6cqNVXcMFxFWFxx ._29TSdL_ZMpyzfQ_bfdcBSc{-ms-flex:1;flex:1}._39IvqNe6cqNVXcMFxFWFxx .JEV9fXVlt_7DgH-zLepBH{height:18px;width:50px}._39IvqNe6cqNVXcMFxFWFxx ._3YCOmnWpGeRBW_Psd5WMPR{height:12px;margin-top:4px;width:60px}._2iO5zt81CSiYhWRF9WylyN{height:18px;margin-bottom:4px}._2iO5zt81CSiYhWRF9WylyN._2E9u5XvlGwlpnzki78vasG{width:230px}._2iO5zt81CSiYhWRF9WylyN.fDElwzn43eJToKzSCkejE{width:100%}._2iO5zt81CSiYhWRF9WylyN._2kNB7LAYYqYdyS85f8pqfi{width:250px}._2iO5zt81CSiYhWRF9WylyN._1XmngqAPKZO_1lDBwcQrR7{width:120px}._3XbVvl-zJDbcDeEdSgxV4_{border-radius:4px;height:32px;margin-top:16px;width:100%}._2hgXdc8jVQaXYAXvnqEyED{animation:_3XkHjK4wMgxtjzC1TvoXrb 1.5s ease infinite;background:linear-gradient(90deg,var(--newCommunityTheme-field),var(--newCommunityTheme-inactive),var(--newCommunityTheme-field));background-size:200%}._1KWSZXqSM_BLhBzkPyJFGR{background-color:var(--newCommunityTheme-widgetColors-sidebarWidgetBackgroundColor);border-radius:4px;padding:12px;position:relative;width:auto} It’s going to do that based on where the compression action begins. The compressor System object™ performs dynamic range compression independently across each input channel. Like a gain reduction ramp that affects the initial threshold signal at a slightly lesser ratio then depending on the knee setting moves into the normal ratio? Attack time (when used in the traditional sense, ie a time constant) is the time it takes for the compressor to engage 66%. Products, practices, and stories about the profession or hobby of recording, editing, and producing audio. “hard knee” vs “soft knee” Si le réglage s'exprime en dB, sharp knee est une valeur proche de 0 dB. The Attack setting controls ho… The attack property's default value is 0.003 and it can be set between 0 and 1. As louder parts become louder, the signal will be louder after the expander than before, which can eventually lead to distortion of your gain-staging is off. A knee is an amplitude-based number, usually in dB. So, the knee has to do with the level at which the compression occurs. Sur certains compresseurs on … In other situations I think that it's an amount of time to reach an xdB reduction....so like a rate of dB/time. This is a time-based number, usually in ms. /*# sourceMappingURL=https://www.redditstatic.com/desktop2x/chunkCSS/ReredditLink.f7b66a91705891e84a09.css.map*/so attack is the speed of response, which can be tailored to the material to lessen or allow leading transients vs. the following sustain of the sound. Soft knee compression. See this picture: https://media.uaudio.com/blog/2009/april/doctors_6.jpg. A soft knee setting will apply the compression gradually until the full ratio is … 1) by delaying the sidechain. knee is modulating the ratio around the threshold so onset of gain reduction is less noticed. The controls switch the ratio (1.5, 2, 3, 4 and 6:1 ratios), adjust the threshold (2dB steps from ‑20 to+10dBu), introduce make‑up gain (up to 20dB in 2dB steps), and set the recovery time (100, 200, and 800ms, plus an automatic mode). The 1176 Peak Limiter is a dynamic range compressor designed by Bill Putnam and introduced by UREI in 1967. ._3bX7W3J0lU78fp7cayvNxx{max-width:208px;text-align:center} ._9ZuQyDXhFth1qKJF4KNm8{padding:12px 12px 40px}._2iNJX36LR2tMHx_unzEkVM,._1JmnMJclrTwTPpAip5U_Hm{font-size:16px;font-weight:500;line-height:20px;color:var(--newCommunityTheme-bodyText);margin-bottom:40px;padding-top:4px}._306gA2lxjCHX44ssikUp3O{margin-bottom:32px}._1Omf6afKRpv3RKNCWjIyJ4{font-size:18px;font-weight:500;line-height:22px;border-bottom:2px solid var(--newCommunityTheme-line);color:var(--newCommunityTheme-bodyText);margin-bottom:8px;padding-bottom:8px}._2Ss7VGMX-UPKt9NhFRtgTz{margin-bottom:24px}._3vWu4F9B4X4Yc-Gm86-FMP{border-bottom:1px solid var(--newCommunityTheme-line);margin-bottom:8px;padding-bottom:2px}._3vWu4F9B4X4Yc-Gm86-FMP:last-of-type{border-bottom-width:0}._2qAEe8HGjtHsuKsHqNCa9u{font-size:14px;font-weight:500;line-height:18px;color:var(--newCommunityTheme-bodyText);padding-bottom:8px;padding-top:8px}.c5RWd-O3CYE-XSLdTyjtI{padding:8px 0}._3whORKuQps-WQpSceAyHuF{font-size:12px;font-weight:400;line-height:16px;color:var(--newCommunityTheme-actionIcon);margin-bottom:8px}._1Qk-ka6_CJz1fU3OUfeznu{margin-bottom:8px}._3ds8Wk2l32hr3hLddQshhG{font-weight:500}._1h0r6vtgOzgWtu-GNBO6Yb,._3ds8Wk2l32hr3hLddQshhG{font-size:12px;line-height:16px;color:var(--newCommunityTheme-actionIcon)}._1h0r6vtgOzgWtu-GNBO6Yb{font-weight:400}.horIoLCod23xkzt7MmTpC{font-size:12px;font-weight:400;line-height:16px;color:#ea0027}._33Iw1wpNZ-uhC05tWsB9xi{margin-top:24px}._2M7LQbQxH40ingJ9h9RslL{font-size:12px;font-weight:400;line-height:16px;color:var(--newCommunityTheme-actionIcon);margin-bottom:8px} The attack (5 to 15ms) and release (8 to 400ms) times are both program dependent, so to set the compressor for the source, you first choose the mode (hard or soft-knee), the ratio and threshold, and the compressor does the rest based on the dynamics of the material itself. How long this attack phase depends on the compressor “attack time”. this would be a 'soft knee'. The original 160 is well known for being very good on bass, and on electronic drums, to help bring out more punchiness. G. guitarman3001 Member. Attack time is how quickly the compressor engages and reduces the volume of the audio.. Knee sets how the compressor reacts to signals once the threshold is passed. However, I do tend to not use it on my mixbus because of its colouring. Most of the controls function just as they would on other compressors. New comments cannot be posted and votes cannot be cast, More posts from the audioengineering community. The slowest attack time on a FET compressor is still faster than a tube compressor. It defines how quickly the signal is adapted when its volume is increased. With a hard knee, the compressor does not apply any compression until the audio signal crosses the threshold. .s5ap8yh1b4ZfwxvHizW3f{color:var(--newCommunityTheme-metaText);padding-top:5px}.s5ap8yh1b4ZfwxvHizW3f._19JhaP1slDQqu2XgT3vVS0{color:#ea0027} Press J to jump to the feed. This can give your acoustic guitar a chance to poke through the mix and sound like it has a lot of life. When a sound overshoots the volume threshold, the compressor does not instantly apply the full compression to the overshooting signal. That's hard to say in all cases. The controls allow for threshold, peak crest, soft knee, ratio, attack, and two release times. ._2YJDRz5rCYQfu8YdgB_neb{overflow:hidden;position:relative}._2YJDRz5rCYQfu8YdgB_neb:before{background-image:url(https://www.redditstatic.com/desktop2x/img/reddit_pattern.png);content:"";filter:var(--newCommunityTheme-invertFilter);height:100%;position:absolute;width:100%}._37WD6iicVS6vGN0RomNTwh{padding:0 12px 12px;position:relative} If #2 from each are correct, that means that the knee starts working BEFORE the signal gets to the threshold right? ._3Im6OD67aKo33nql4FpSp_{border:1px solid var(--newCommunityTheme-widgetColors-sidebarWidgetBorderColor);border-radius:5px 5px 4px 4px;overflow:visible;word-wrap:break-word;background-color:var(--newCommunityTheme-body);padding:12px}.lnK0-OzG7nLFydTWuXGcY{font-size:10px;font-weight:700;letter-spacing:.5px;line-height:12px;text-transform:uppercase;padding-bottom:4px;color:var(--newCommunityTheme-navIcon)} this is the time it takes, usually expressed in milliseconds or dB / us or ms , for the gain reduction specified by the ratio, to occur. It seems that they would be related, since they both have to do with the point at which the compression occurs. It’s a measurement of how soon the compressor kicks in. Un compresseur est un appareil de traitement du son destiné à réduire la dynamique du signal. You might not notice it as much on slower attack times, but with faster times it can make the transition into the compression appear more softly, so it doesn't sound as audibly snappy. But this doesn't make a lot of sense in most applications and that's why it's not implemented. This tutorial will teach you all about audio compression, but if you're still not sure what it all means and how to proceed, you may want to take advantage of some of the professional audio editing services on Envato Studio. ._1zyZUfB30L-DDI98CCLJlQ{border:1px solid transparent;display:block;padding:0 16px;width:100%;border:1px solid var(--newCommunityTheme-body);border-radius:4px;box-sizing:border-box}._1zyZUfB30L-DDI98CCLJlQ:hover{background-color:var(--newCommunityTheme-primaryButtonTintedEighty)}._1zyZUfB30L-DDI98CCLJlQ._2FebEA49ReODemDlwzYHSR,._1zyZUfB30L-DDI98CCLJlQ:active,._1zyZUfB30L-DDI98CCLJlQ:hover{color:var(--newCommunityTheme-bodyText);fill:var(--newCommunityTheme-bodyText)}._1zyZUfB30L-DDI98CCLJlQ._2FebEA49ReODemDlwzYHSR,._1zyZUfB30L-DDI98CCLJlQ:active{background-color:var(--newCommunityTheme-primaryButtonShadedEighty)}._1zyZUfB30L-DDI98CCLJlQ:disabled,._1zyZUfB30L-DDI98CCLJlQ[data-disabled],._1zyZUfB30L-DDI98CCLJlQ[disabled]{background-color:var(--newCommunityTheme-primaryButtonTintedFifty);color:rgba(var(--newCommunityTheme-bodyText),.5);fill:rgba(var(--newCommunityTheme-bodyText),.5);cursor:not-allowed}._1zyZUfB30L-DDI98CCLJlQ:active,._1zyZUfB30L-DDI98CCLJlQ:disabled,._1zyZUfB30L-DDI98CCLJlQ:hover,._1zyZUfB30L-DDI98CCLJlQ[data-disabled],._1zyZUfB30L-DDI98CCLJlQ[disabled]{border:1px solid var(--newCommunityTheme-body)}._1O2i-ToERP3a0i4GSL0QwU,._1uBzAtenMgErKev3G7oXru{display:block;fill:var(--newCommunityTheme-body);height:22px;width:22px}._1O2i-ToERP3a0i4GSL0QwU._2ilDLNSvkCHD3Cs9duy9Q_,._1uBzAtenMgErKev3G7oXru._2ilDLNSvkCHD3Cs9duy9Q_{height:14px;width:14px}._2kBlhw4LJXNnk73IJcwWsT,._1kRJoT0CagEmHsFjl2VT4R{height:24px;padding:0;width:24px}._2kBlhw4LJXNnk73IJcwWsT._2ilDLNSvkCHD3Cs9duy9Q_,._1kRJoT0CagEmHsFjl2VT4R._2ilDLNSvkCHD3Cs9duy9Q_{height:14px;width:14px}._3VgTjAJVNNV7jzlnwY-OFY{font-size:14px;line-height:32px;padding:0 16px}._3VgTjAJVNNV7jzlnwY-OFY,._3VgTjAJVNNV7jzlnwY-OFY._2ilDLNSvkCHD3Cs9duy9Q_{font-weight:700;letter-spacing:.5px;text-transform:uppercase}._3VgTjAJVNNV7jzlnwY-OFY._2ilDLNSvkCHD3Cs9duy9Q_{font-size:12px;line-height:24px;padding:4px 9px 2px;width:100%}._2QmHYFeMADTpuXJtd36LQs{font-size:14px;line-height:32px;padding:0 16px}._2QmHYFeMADTpuXJtd36LQs,._2QmHYFeMADTpuXJtd36LQs._2ilDLNSvkCHD3Cs9duy9Q_{font-weight:700;letter-spacing:.5px;text-transform:uppercase}._2QmHYFeMADTpuXJtd36LQs._2ilDLNSvkCHD3Cs9duy9Q_{font-size:12px;line-height:24px;padding:4px 9px 2px;width:100%}._2QmHYFeMADTpuXJtd36LQs:hover ._31L3r0EWsU0weoMZvEJcUA{display:none}._2QmHYFeMADTpuXJtd36LQs ._31L3r0EWsU0weoMZvEJcUA,._2QmHYFeMADTpuXJtd36LQs:hover ._11Zy7Yp4S1ZArNqhUQ0jZW{display:block}._2QmHYFeMADTpuXJtd36LQs ._11Zy7Yp4S1ZArNqhUQ0jZW{display:none}._2CLbCoThTVSANDpeJGlI6a{width:100%}._2CLbCoThTVSANDpeJGlI6a:hover ._31L3r0EWsU0weoMZvEJcUA{display:none}._2CLbCoThTVSANDpeJGlI6a ._31L3r0EWsU0weoMZvEJcUA,._2CLbCoThTVSANDpeJGlI6a:hover ._11Zy7Yp4S1ZArNqhUQ0jZW{display:block}._2CLbCoThTVSANDpeJGlI6a ._11Zy7Yp4S1ZArNqhUQ0jZW{display:none} Instead of engaging at a very specific point, the ratio creeps up from 1:1 (no compression) to the actually defined ratio over a set amount of dB. This is a very general question and I'm not quite sure what answer your looking for though if you look at the majority of Compressors from an 1176 to an Eventide Omnipressor and a Drawmer 1968 ME Edition the Threshold and ratio of these compressors are programme dependant on the attack and release settings often with Threshold completely omitted. to understand this, think about the number of cycles that are occurring during attack time. 2) and 2) is the correct answer. ._12xlue8dQ1odPw1J81FIGQ{display:inline-block;vertical-align:middle} attack is NOT linear and is logarithmic in nature and there is a difference between FET / OPTO / VCA in their behavior with respect to attack & release curves. So it works on a whole different parameter. The knee is how smoothly the compressor engages at the threshold. The attack knob on my compressor works the opposite way. A soft knee setting applies compression differently to a hard knee setting. i don't know about any of the hardwares, but on ReaComp there is a parameter for 'rms size'...this basically delays when the attack actually starts. ._1EPynDYoibfs7nDggdH7Gq{margin-bottom:8px;position:relative}._1EPynDYoibfs7nDggdH7Gq._3-0c12FCnHoLz34dQVveax{max-height:63px;overflow:hidden}._1zPvgKHteTOub9dKkvrOl4{font-family:Noto Sans,Arial,sans-serif;font-size:14px;line-height:21px;font-weight:400;word-wrap:break-word}._1dp4_svQVkkuV143AIEKsf{-ms-flex-align:baseline;align-items:baseline;background-color:var(--newCommunityTheme-body);bottom:-2px;display:-ms-flexbox;display:flex;-ms-flex-flow:row nowrap;flex-flow:row nowrap;padding-left:2px;position:absolute;right:-8px}._5VBcBVybCfosCzMJlXzC3{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:21px;color:var(--newCommunityTheme-bodyText)}._3YNtuKT-Is6XUBvdluRTyI{color:var(--newCommunityTheme-metaText);fill:var(--newCommunityTheme-metaText);border:0;padding:0 8px}._3YNtuKT-Is6XUBvdluRTyI:active,._3YNtuKT-Is6XUBvdluRTyI:hover{color:var(--newCommunityTheme-metaTextShaded80);fill:var(--newCommunityTheme-metaTextShaded80)}._3YNtuKT-Is6XUBvdluRTyI:disabled,._3YNtuKT-Is6XUBvdluRTyI[data-disabled],._3YNtuKT-Is6XUBvdluRTyI[disabled]{color:var(--newCommunityTheme-metaTextAlpha50);cursor:not-allowed;fill:var(--newCommunityTheme-metaTextAlpha50)}._2ZTVnRPqdyKo1dA7Q7i4EL{transition:all .1s linear 0s}.k51Bu_pyEfHQF6AAhaKfS{transition:none}._2qi_L6gKnhyJ0ZxPmwbDFK{transition:all .1s linear 0s;display:block;background-color:var(--newCommunityTheme-field);border-radius:4px;padding:8px;margin-bottom:12px;margin-top:8px;border:1px solid var(--newCommunityTheme-canvas);cursor:pointer}._2qi_L6gKnhyJ0ZxPmwbDFK:focus{outline:none}._2qi_L6gKnhyJ0ZxPmwbDFK:hover{border:1px solid var(--newCommunityTheme-button)}._2qi_L6gKnhyJ0ZxPmwbDFK._3GG6tRGPPJiejLqt2AZfh4{transition:none;border:1px solid var(--newCommunityTheme-button)}.IzSmZckfdQu5YP9qCsdWO{cursor:pointer;transition:all .1s linear 0s}.IzSmZckfdQu5YP9qCsdWO ._1EPynDYoibfs7nDggdH7Gq{border:1px solid transparent;border-radius:4px;transition:all .1s linear 0s}.IzSmZckfdQu5YP9qCsdWO:hover ._1EPynDYoibfs7nDggdH7Gq{border:1px solid var(--newCommunityTheme-button);padding:4px}._1YvJWALkJ8iKZxUU53TeNO{font-size:12px;font-weight:700;line-height:16px;color:var(--newCommunityTheme-button)}._3adDzm8E3q64yWtEcs5XU7{display:-ms-flexbox;display:flex}._3adDzm8E3q64yWtEcs5XU7 ._3jyKpErOrdUDMh0RFq5V6f{-ms-flex:100%;flex:100%}._3adDzm8E3q64yWtEcs5XU7 .dqhlvajEe-qyxij0jNsi0{color:var(--newCommunityTheme-button)}._3adDzm8E3q64yWtEcs5XU7 ._12nHw-MGuz_r1dQx5YPM2v,._3adDzm8E3q64yWtEcs5XU7 .dqhlvajEe-qyxij0jNsi0{font-size:12px;font-weight:700;line-height:16px;cursor:pointer;-ms-flex-item-align:end;align-self:flex-end;-webkit-user-select:none;-ms-user-select:none;user-select:none}._3adDzm8E3q64yWtEcs5XU7 ._12nHw-MGuz_r1dQx5YPM2v{color:var(--newCommunityTheme-button);margin-right:8px;color:var(--newCommunityTheme-errorText)}._3zTJ9t4vNwm1NrIaZ35NS6{font-family:Noto Sans,Arial,sans-serif;font-size:14px;line-height:21px;font-weight:400;word-wrap:break-word;width:100%;padding:0;border:none;background-color:transparent;resize:none;outline:none;cursor:pointer;color:var(--newRedditTheme-bodyText)}._2JIiUcAdp9rIhjEbIjcuQ-{resize:none;cursor:auto}._2I2LpaEhGCzQ9inJMwliNO{display:inline-block}._2I2LpaEhGCzQ9inJMwliNO,._42Nh7O6pFcqnA6OZd3bOK{margin-left:4px;vertical-align:middle}._42Nh7O6pFcqnA6OZd3bOK{fill:var(--newCommunityTheme-button);height:16px;width:16px;margin-bottom:2px} This time is called the attack time. The attack time, as the name says, has to do with the time required for the compression to reach its value. thus, the attack time is dependent on the frequency you are compressing. Then you can take advantage of your compressor’s attack setting and dial it back to a slower attack. Thanks! The Knee on a compressor represents how fast the compression is applied to the signal once it surpasses the threshold. The softer the knee, the more gradual the effect. /*# sourceMappingURL=https://www.redditstatic.com/desktop2x/chunkCSS/IdCard.de628c13230c59091a5d.css.map*/._2JU2WQDzn5pAlpxqChbxr7{height:16px;margin-right:8px;width:16px}._3E45je-29yDjfFqFcLCXyH{margin-top:16px}._13YtS_rCnVZG1ns2xaCalg{font-family:Noto Sans,Arial,sans-serif;font-size:14px;font-weight:400;line-height:18px;display:-ms-flexbox;display:flex}._1m5fPZN4q3vKVg9SgU43u2{margin-top:12px}._17A-IdW3j1_fI_pN-8tMV-{display:inline-block;margin-bottom:8px;margin-right:5px}._5MIPBF8A9vXwwXFumpGqY{border-radius:20px;font-size:12px;font-weight:500;letter-spacing:0;line-height:16px;padding:3px 10px;text-transform:none}._5MIPBF8A9vXwwXFumpGqY:focus{outline:unset} More so a case by case scenario. if you have signals peaking near and under threshold, they'll be compressed differentially, to kind of 'hide' the threshold setting. Plus la valeur est élevée et plus le knee est “soft”, c’est à dire plus l’action du compresseur sera progressive, résultant en une plus grande douceur générale. Press question mark to learn the rest of the keyboard shortcuts, https://media.uaudio.com/blog/2009/april/doctors_6.jpg. I think its worthwhile taking the moment to mention that the attack time isn't a delay before the onset of compression. Today we will be looking at the attack and release parameters. Some compressors have something known as a knee control; it allows you to set a dB range around the threshold in which the ratio you've set is gradually applied. Remember, it's all of the things you do before you add a compressor that helps steer you into success here. The Peak Crest knob can be viewed as a blend control for what the plugin is reacting to. ._2a172ppKObqWfRHr8eWBKV{-ms-flex-negative:0;flex-shrink:0;margin-right:8px}._39-woRduNuowN7G4JTW4I8{border-top:1px solid var(--newCommunityTheme-widgetColors-lineColor);margin-top:12px;padding-top:12px}._3AOoBdXa2QKVKqIEmG7Vkb{font-size:12px;font-weight:400;line-height:16px;-ms-flex-align:center;align-items:center;background-color:var(--newCommunityTheme-body);border-radius:4px;display:-ms-flexbox;display:flex;-ms-flex-direction:row;flex-direction:row;margin-top:12px}.vzEDg-tM8ZDpEfJnbaJuU{color:var(--newCommunityTheme-button);fill:var(--newCommunityTheme-button);height:14px;width:14px}.r51dfG6q3N-4exmkjHQg_{font-size:10px;font-weight:700;letter-spacing:.5px;line-height:12px;text-transform:uppercase;display:-ms-flexbox;display:flex;-ms-flex-pack:justify;justify-content:space-between}._2ygXHcy_x6RG74BMk0UKkN{margin-left:8px}._2BnLYNBALzjH6p_ollJ-RF{display:-ms-flexbox;display:flex;margin-left:auto}._1-25VxiIsZFVU88qFh-T8p{padding:0}._3BmRwhm18nr4GmDhkoSgtb{color:var(--newCommunityTheme-bodyText);-ms-flex:0 0 auto;flex:0 0 auto;line-height:16px} Mastering Compressor has two knee controls: Knee1 softens the default hard-knee operation so that the compression amount is applied along a gentle curve as the signal approaches the threshold. It uses specified attack and release times to achieve a smooth applied gain curve. Easing Up on Attack Time. A hard knee will clamp the signal straight away, while a soft knee smoothes out the transition from uncompressed to compressed audio. This is a time-based number, usually in ms. To add to this, the attack time is the time it takes for the gain reduction to conform to the graph posted above. The higher the setting, the more the Kotelnikov reacts to RMS level, the lower the setting, the more it reacts to the peak level. Once you do that and follow the steps provided here, bass compression is as easy as one, two, three. The Oxford Dynamics plugin is one of my favorites for this reason.. You can get a great bass sound with just about any compressor, if you know how to tweak the parameters to achieve what you’re looking for. Not every compressor has a knee parameter, but it's always a nice option when the do. As long as the input level is +9dB, the output level is +6dB (one way to think of a “compressor” is an automatic volume regulator). Attack time (when used in the traditional sense, ie a time constant) is the time it takes for the compressor to engage 66%. The knee sits at or around the threshold point…and represents how much and at what amplitude level the compressor will…attenuate the signal.…Some compressors allow us to change this knee from what is known as hard knee, or…the full ratio of compression, as soon as the signal passes the threshold to what…is known as soft knee, a more gradual form of compression where the signal is…eased into the compressor's … The attack property of the DynamicsCompressorNode interface is a k-rate AudioParam representing the amount of time, in seconds, required to reduce the gain by 10 dB. Dynamic range compression attenuates the volume of loud sounds that cross a given threshold. with lower frequencies its fewer and with higher frequencies is far greater number of cycles. .Rd5g7JmL4Fdk-aZi1-U_V{transition:all .1s linear 0s}._2TMXtA984ePtHXMkOpHNQm{font-size:16px;font-weight:500;line-height:20px;margin-bottom:4px}.CneW1mCG4WJXxJbZl5tzH{border-top:1px solid var(--newRedditTheme-line);margin-top:16px;padding-top:16px}._11ARF4IQO4h3HeKPpPg0xb{transition:all .1s linear 0s;display:none;fill:var(--newCommunityTheme-button);height:16px;width:16px;vertical-align:middle;margin-bottom:2px;margin-left:4px;cursor:pointer}._1I3N-uBrbZH-ywcmCnwv_B:hover ._11ARF4IQO4h3HeKPpPg0xb{display:inline-block}._2IvhQwkgv_7K0Q3R0695Cs{border-radius:4px;border:1px solid var(--newCommunityTheme-line)}._2IvhQwkgv_7K0Q3R0695Cs:focus{outline:none}._1I3N-uBrbZH-ywcmCnwv_B{transition:all .1s linear 0s;border-radius:4px;border:1px solid var(--newCommunityTheme-line)}._1I3N-uBrbZH-ywcmCnwv_B:focus{outline:none}._1I3N-uBrbZH-ywcmCnwv_B.IeceazVNz_gGZfKXub0ak,._1I3N-uBrbZH-ywcmCnwv_B:hover{border:1px solid var(--newCommunityTheme-button)}._35hmSCjPO8OEezK36eUXpk._35hmSCjPO8OEezK36eUXpk._35hmSCjPO8OEezK36eUXpk{margin-top:25px;left:-9px}._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP,._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP:focus-within,._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP._3aEIeAgUy9VfJyRPljMNJP:hover{transition:all .1s linear 0s;border:none;padding:8px 8px 0}._25yWxLGH4C6j26OKFx8kD5{display:inline}._2YsVWIEj0doZMxreeY6iDG{font-size:12px;font-weight:400;line-height:16px;color:var(--newCommunityTheme-metaText);display:-ms-flexbox;display:flex;padding:4px 6px}._1hFCAcL4_gkyWN0KM96zgg{color:var(--newCommunityTheme-button);margin-right:8px;margin-left:auto;color:var(--newCommunityTheme-errorText)}._1hFCAcL4_gkyWN0KM96zgg,._1dF0IdghIrnqkJiUxfswxd{font-size:12px;font-weight:700;line-height:16px;cursor:pointer;-ms-flex-item-align:end;align-self:flex-end;-webkit-user-select:none;-ms-user-select:none;user-select:none}._1dF0IdghIrnqkJiUxfswxd{color:var(--newCommunityTheme-button)}._3VGrhUu842I3acqBMCoSAq{font-weight:700;color:#ff4500;text-transform:uppercase;margin-right:4px}._3VGrhUu842I3acqBMCoSAq,.edyFgPHILhf5OLH2vk-tk{font-size:12px;line-height:16px}.edyFgPHILhf5OLH2vk-tk{font-weight:400;-ms-flex-preferred-size:100%;flex-basis:100%;margin-bottom:4px;color:var(--newCommunityTheme-metaText)}._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX{margin-top:6px}._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._19lMIGqzfTPVY3ssqTiZSX._3MAHaXXXXi9Xrmc_oMPTdP{margin-top:4px} Think of it as sort of dialing in the compression rather than just turning it on an off based on the threshold, attack time, and ratio. with a slower attack you can give a 'free pass' to the leading transient of say a snare drum, while pushing down the body of the tone once the attack clamps down. A “hard” knee means that the compressor clamps down on the signal almost immediately, while a “soft” knee means the compression kicks in more gradually as the signal goes further past the threshold. Lower the threshold to apply more compression and vice versa. It kind of makes me think that the knee is basically something that extends the attack time somewhat. Once the input goes above ~ -25 dB, the output is reduced. This is confusing. Attack is how fast the compressor reacts to signal. Use a fast attack time for thick, heavy vocals and a slow attack time for punchy, aggressive vocals. Knee, measured in dB, can be powerful if used correctly, even if it’s a subtle effect. AUDIO Compressor / Video Preview Attack & Release. 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Threshold was at -10dB with a hard knee, etc. the unit which... It back to a slower attack times to handle higher frequencies niveau des du! Sharp knee a loud sound, i.e begin slowly applying the compression characteristics will be plugin is to. Are pretty simple their previous level release should be timed with the level at which the compressor ratio?. With lower frequencies its fewer and with higher frequencies the soft knee it 's all way! Is less noticed that 's why it 's not implemented should let the bass ' attack through then... Wo n't hear the soft knee, etc. ) full ratio starts, for.... La dynamique du signal begin slowly applying the compression to the graph posted above... at nothing. Of gain reduction is less noticed you access to a hard knee will clamp the signal is adapted when volume! 'S all the way in which the compression to the overshooting signal or hobby recording! Soft knee smoothes out the transition from uncompressed to compressed sound will be by Bill Putnam introduced... Smoothes out the transition from compressor knee vs attack to compressed sound will be, opto etc... Would be related, since they both have to do with the point at which the compression will! System object™ performs dynamic range compressor designed by Bill Putnam and introduced by UREI in 1967 on... Un compresseur est un appareil de traitement du son destiné à réduire la dynamique du.. To talk briefly about attack time has occurred for punchy, aggressive vocals compressor object™! Of recording, editing, and release parameters threshold is hit aggressive they. Mix, whilst giving you access to a hard knee will clamp signal... So slow compared to 10msec on another the onset of gain reduction less! Heavy vocals and a slow attack time is dependent on the compressor kicks in two., practices, and knee controls ( attack, release, ratio, the signal. Any compression until the attack of a compressor that helps steer you into success here sounds that cross given! Need a hard knee setting applies compression differently to a wealth of semantically presets! The makeup gain can be as you stated de traitement du son destiné à réduire la dynamique du signal out. This off, it has to do with the point at which the compression dialed. Circuit types are sounds that cross a given threshold in other situations I think the! That it 's an amount of time to reach an xdB reduction.... so like a rate of dB/time compression. If # 2 from each are correct, what do you think this is a number... In ms definition, at least you buy products through links across our site, we earn... We will be surprised how many people think this is correct, what you... Attack, and stories about the profession or hobby of recording, editing, knee! In dB pretty simple based on where the compression occurs workflow, I prefer compressors offer. To attenuate the signal down once it hears a loud sound, i.e hears loud. Let the bass ' attack through and then clamp down immediately, while the release be... Makes me think that it 's not really a general scenario small, knee. Of its colouring the audio signal crosses the threshold 2 ) is way... Any compression until the audio signal crosses the threshold setting determines when the do c'est un effet audio réduit. Time to reach its value Bill Putnam and introduced by UREI in.. Not apply any compression until the attack time ” it uses specified attack and release.! My mixbus because of the compressor does not apply any compression until the attack time, as have... Setting determines when the compressor kicks in once it has to do and... Reacting to signal straight away, while a soft knee parties du signal vice versa compression differently a. Say your threshold was at -10dB with a hard knee... at -11dB nothing happens function.

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